A Virtuoso Performance…

Whatever …

From the Hudson Valley One

Kingston’s Wilbur and Ponckhockie neighborhoods rise out of obscurity

Kingston’s Wilbur and Ponckhockie neighborhoods have long been overlooked. Insufficient attention has been paid to how improvement and investment could enhance the architectural richness and historic heritage of these Rondout Creek communities.

No more. The City of Kingston has just released a draft architectural and archaeological sensitivity report that surveys each neighborhood’s buildings to determine their suitability for designation in historic districts or as individual landmarks.

The report’s public release in late June marked a first step in getting segments of the two neighborhoods or individual buildings on the National and New York State Registers of Historic Places. Residents have had an opportunity to learn about the initiative this month.



The survey of 246 properties in the Ponckhockie neighborhood revealed an abundance of valuable historic structures, for possible individual listing on the National Register or as contributing properties within a potential historic district. Ponckhockie has a potential historic district of 184 contributing properties, built from circa 1856 to circa 1940. Twenty-one of the 184 may be eligible for individual listing on the National Register. The neighborhood has a high concentration of notable examples of Italianate buildings and early vernacular interpretations of the Federal style, plus a lesser number of examples of Queen Anne, Gothic Revival, and Second Empire styles.



Potential candidates for a historic district include 1 Ponckhockie Street (c. 1870), which the survey calls “the finest and largest brick example of an Italianate house” in Ponckhockie; 9 Grove Street (c. 1880), one of the few high-style Queen Anne houses in the neighborhood and one of two executed in brick; and 54 Gill Street (c. 1869), the former home of David Gill Sr., for whom the street is named and possibly the largest wooden Italianate house in Ponckhockie. Rhoads wrote in his Kingston architectural guide that the owner of 54 Gill accomplished “a virtuoso performance with Italianate paired brackets supporting the projecting eaves ….” Its rehabilitation is being documented online at the Disaster Mansion website.

Not sure what this will mean to us and big shame that we missed the public meeting. Hopefully they will have recorded it.

Personally I think the only reason that Kingston politicians are interested in Wilbur and Ponckhockie is pure financial. These areas have been around for centuries and it seems a coincidence that now Kingston is deemed desirable that these areas are gaining interest.

If any historical branch starts telling us what to do they can shove it up their a#@s. We’re doing the best we can do to restore this grand old house and we need help not barriers or regulation.

Old Growth Lumber

Whilst Aimee was building the rock wall I was working on replacing the rotten sill beam. I was reshaping the end of the old beam to except the new beam when I removed a small section and noticed the incredible grain of the old wood. I had know our house would have been made from old growth lumber but I never really appreciated it until I saw this piece of wood.

In the following pictures we have the old wood I removed and a new 2×6 for you to compare the grain. For the last three pictures I increased the contrast so you can see the grain better and what a difference between old and new.

Old growth wood came from a forest that had never been harvested before. In these “virgin” forests the trees aged gradually due to partial sunlight and competition from surrounding trees. The gradual growth rate leads to the formation of tightly crammed growth rings which are highly beneficial, increasing strength, stability and rot resistance.

Stability isn’t the only advantage. This slow growth also yields more heartwood. Heart wood is the longest lasting part of the tree, whereas sap wood will rot very quickly. You can see in the diagram below that the slow growth lumber is mostly heart wood, where as modern lumber is all sap wood.

Old growth versus new growth wood. Credit Hull Works architectural millwork, residential construction & historic restoration
Old growth versus new growth wood. Credit Hull Works architectural millwork, residential construction & historic restoration

In the picture below, the wood from 1918 is all heart wood, the wood from 2018 is all sap wood.

Old growth versus new growth wood. Credit Hull Works architectural millwork, residential construction & historic restoration
Old growth versus new growth wood. Credit Hull Works architectural millwork, residential construction & historic restoration

So what happened to old growth lumber? Well I’m not an expert so it’s easier to quote.

In America, we began seriously depleting these virgin forests during the industrial revolution, and by the 1940s, most of them were gone. Lumber prices began to spike as Americans looked for substitutions for our lumber addiction. Enter second-growth and new-growth wood.

Tree farms began to produce lumber for the growing demand and the fastest growing species like Pine were selected for this reason. The trees grew in open areas with little to no competition for sun, which caused them to grow very quickly so they could be harvested in 10-20 years as opposed to old-growth wood, which may be from trees as old as 200-300 years old before being harvested.

Credit: https://thecraftsmanblog.com

Old growth forests still exist but they are usually in protected state parks. The best source for old growth lumber nowadays is reclaimed wood from old houses, barns etc.

I’m tempted to try and find some reclaimed old growth wood to use to fix our sill beams and ditch the pressure treated pine I was planning to use. I’ll ask about and maybe someone local has some.

If you’re interested, this is a good video explaining old growth lumber in greater detail.

Odd jobs

We haven’t posted anything in a while, not because we’ve been inactive, but because we’ve been working on a lot of small projects. One of these was a clamp rack – it got used for a few weeks before being deemed two small, hence I made a bigger one, which now seems too large but that can be fixed with more clamps. Don the Johnson will take the old rack so I’m pleased it won’t become firewood.

Another small task was to clear the verge which had become overgrown and a favourite spot for local dogs. Initial plan was to put grass down but we have bigger fish to fry so instead we cut back the weeds, burnt the roots with my Dragon flame thrower and then dug up the 1 – 4″ of soil, which had built up over the years, to expose some hand laid bricks. It’s no Roman mosaic but it does look better than weeds and next year we will remove a section of the bricks every 6 foot to make way for some flower beds.

Work continues on the front door and last week we glued in the panel trim and framed around the glass openings. We are now working on the other side. Hopefully it will be ready to paint in a week or so. This door has taken more time than I expected.

Lastly Disaster Mansion appeared in a local historical treasure hunt. We met some of the intrepid treasure hunters last weekend, gave them a tour of the house and some old antique nails as a memento, not sure what they do with them though.

We’re still waiting to have our plumbing roughed in after which we’ll be getting the electrician in. Only then can we get a concrete floor poured on the ground floor which is looking doubtful now this year.

The Ponckhockie Chief

As most of you know our house is in Ponckhockie which was first inhabited by Native Americans. Legend has it amongst the locals that the head of one of the chiefs was carved into the rock cliff above Ponckhockie. I didn’t think much of this until last Autumn, just after the leaves had fallen and low and behold you can indeed see a profile of a head on the cliffs. Whether it was carved or a natural rock formation I don’t know but I’d like to believe the former.

On a good day I may have to grab a rope and harness and clear away some of the saplings.

THE INDIANS

In legend and in names they live,
By lake and stream and mountain wild;
Seldom a thought to them we’d give,
Were these reminders but despoiled.
Their forms have faded from the land,
Their songs unheard upon the shore,
They sleep in death on every hand,
Their war-whoops wild are heard no more.

A Legend of Aowasting Lake Near Lake Minnewaska Shawangunk Mountains, New York. By Jared Barhite, 1911

Incidentally the book this poem was taken from mentions that Ponckhockie means place for canoes.

C’est une longue pipe

After much non-existent research I have reconstructed the clay pipe from fragments we’ve found during numerous archaeology digs at Gill House.

This pipe was very probably used by Mrs. Gill as she sat on her fancy porch, drinking her fancy wine.

We have an Income on our Doorstep

We were working on the house this weekend when we saw a lot of people walk up the street and gather around the tree outside our house. Turns out it was a demonstration of how to tap a maple tree for it’s sugary sap and part of the Atharhacton Maple Project (see below). It was pretty cool to see them doing it, especially to see how easy it was to do, though I think the work is in the refining of the sap.

We joined the group and were told of the old Native Americans practices of asking the tree for permission, thanking the tree and offering the tree roots tobacco leaves. They also told us that this tree is a silver maple tree and not a red maple as we thought, even though it does have red blossom.

Silver maple isn’t the best tree for syrup as the sugar content is lowish but we do hope to try some next weekend on pancakes.

Atharhacton is the Lenape tribe name for the Kingston area. This project honors our native “first people” and one of their gifts to all future settlers: the wisdom, method, and gratitude for making Maple Sugar. (from: https://www.seedsongfarm.org/maple.html)

Our last great find

Or rather Thomas, our builder. It’s neat that Thomas has an eye for this and appreciates the historical. What Thomas found was a portrait by T.M. Gill and although it’s incomplete it’s a lovely find. T.M. Gill first turned up when we found graffiti from him or her dated 1883, see we found some 100 year graffiti/

It’s odd that T.M. Gill is never mentioned in the records, but due to the artistic nature of the work I am having to lean to T.M. Gill as being female.

We will try and save as much as this wall as possible, but as you will find in a future post, this wall collapsed as we Aimee, Thomas and I were taking the following photos.

From the photos you see the oval portrait bordered in blue with the initials T.M.G visible at “4 o’clock”. It’s a shame the eyes are missing but the hair, ear, up-turned moustache are clearly visible.

The basement room they were found in had an earthen floor so this was probably the least special room in he house. I’d like to think that this was the work of a teenager.

We’ve found some pretty cool stuff in the house, but I think we have come the end of discoveries. I’d like to be surprised but I’ not expecting any other finds.

Thomas will try and say this part of the collapsed wall, but it may not be possible. I’d like to call out to local artists to see if they can re-create the portrait on canvas based on what they can see. Does anyone know of any techniques to expose any further remnants of this old portrait?

What is this object? Revealed

In a previous post I asked whether anyone could guess what this artifact was. The only clue I gave was that it a part of something else, it’s shape is a good clue and it’s about 2″ in height. I had a few good guesses including a bell holder but no one got it right.

Yes it was the other part of the gyroscope I found a month or so ago. The slot in the end is so you can balance the spinning gyroscope on a string.

I also have a new mystery object for you to guess at. Again, I found it while digging up the back path. It looked interesting so I put it aside. I had no idea what it was until Giovanna correctly identified it. So if you know what this object is, answers on a postcard please …

Happy Birthday Aimee

Happy Birthday Aimee and in the immortal words of Oliver Hardy, “Well, here’s another fine mess we’ve gotten ourselves into!!!”

I think we’ll be able to see this out together, with or without VR, though that would help!!!! Thanks for being such a trooper.

Happy Birthday!!!!!!!

Disaster Mansion is upon us. Will love and compassion be enough to get us through? Maybe, but we're going to wear our virtual reality headsets until it's safe to come out, Happy Birthday Aimee